Can You Make Someone Cum When They Unconscious Art History Comparison

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Art History Comparison

All art is different in shape, size, quality, style and skill. Artists work with different materials, colors, textures and times that affect them and their work. Most artists have a goal of what they want to show to the viewer, whether it’s to make us angry, to scare us or to make us question our eyes and our sense of art. When Kazimir Malevich painted his Black Square on White Field, he thought that this was it and everyone would find it. To his surprise, many people did not understand the meaning of many of his paintings or find anything in them. These two paintings, Joan Miro’s The Birth of the World and Jackson Pollock’s One: Number 31, 1950 give us a similar and surprising impression of what the artists are trying to convey.

Different times bring different movements and ideas to artists, sculptors, and even writers. Joan Miro was an artist who was influenced by Cubism, Fauvism, Dada and was mainly associated with Surrealism. Surrealism was started by the writer, Andre Breton who wanted to explore the unconscious mind. To do this, the artist can take drugs or sacrifice food and work from their shows. During Surrealism, artists also drew atomic drawings, letting the pencil guide their writing and creating something to stand out in all the mist. Surrealism was an art form that did not want to work conventionally but was seen as irrational and against logic.

Jackson Pollock was also an artist who went further and created art that was unconventional and questionable in its intentions and meaning. Pollock was an American painter and part of the American art movement, abstract expressionism. The concept of this art group was to take chances and accept risks, although each artist had control over what they were doing. Abstract Expressionism was a post World War II art full of challenges and anxiety and can be seen through paintings such as Willem de Kooning’s Woman Woman I. There was also a sense of freedom and movement in many metals during this period especially in the works of Pollock.

Joan Miro’s The Birth of the World is an oil on canvas that measures approximately 8 feet tall by 6.5 feet tall. The painting is black and mostly composed of black, with hints of orange, yellow, blue, and white. Miro gives us the information that is created by giving the canvas the title, The Birth of the World. The title also throws us and makes us wonder how this could be the birth of the world, is the orange circle a balloon or a sperm? Is the black triangle a symbol of a woman or a kite? The canvas can represent the beginning of a world or a world of new things. In Chipp Miro’s book he said that; “For me a form is not a known thing; it is always a sign of something. It is always a person, a bird, or something. For me a painting is not a form for the sake of form…” (pg 432). After the First World War, the economy did not go well and this painting can be a good example of the new world of darkness and hardship that was due from the beginning.

Jackson Pollock doesn’t name many of his paintings and if he does, he gives numbers or mysterious titles that have nothing to do with his main lines. The pollock painting is oil and paint on canvas that is approximately 9 feet by 17.5 feet tall. Like Miro’s painting, it is also composed of dark and minimal colors; black, white, grey, brown and green. Instead of making us look at one place or shape, we should look at the picture fully from one angle to another. Pollock’s One: Number 31, 1950 is not a portrait, a still life or a landscape but a moving canvas full of anxiety and rich color. The movement of the painting makes me think of nature and the storm that is burning everything together and making it difficult for us to see the place in it.

Pollock and Miro are artists who were both part of groups that sought to set themselves apart from the rest with the goal of transcending their myth and movement. Pollock’s style of painting was revolutionary and was once again seen as true American art as there was no single art movement that was American to the abstract. Pollock used household paints and various sticks to create his paintings. He created large canvases that were laid out on the floor and stepped on and walked to reach the entire canvas and create the shapes and styles that Pollock wanted. Jackson Pollock stepping on the canvas to create his work makes him a part of the canvas.

Miro did not enter his canvas but his art was also left by others and was seen as surrealism. If you look at the Birth of the World, the influence of cubism and dada is defined by geometric shapes, lines and abstract or surreal images. Like Pollock, Miro also seemed to prefer lines but used strokes and paint to create them. Miro’s brushes are silly and fast as if he just wants to smear the canvas before painting his pictures or objects. There are five black horizontal lines in the upper left corner of the screen which may be a reference to the dark night sky. Next to the horizontal lines are five vertical blue lines to the right which can mean days, delivery, blue sky. In the bottom left corner of the screen is a figure like a man with a white head and perhaps five tall finger-like buildings extending out. Unlike Pollock’s paintings, Miro’s lines have a beginning and an end and do not show the same movement as the movement itself. In an interview with Johnson Sweeney in 1947, Miro talks about one of his paintings, The Peasant’s Wife, and how he added circles and square lines to fit it. He said; “They seem symbolic, esoteric: but they are not imaginary. They were placed to bring the image into harmony” (Chipp, pg 432). Although there are five lines in the three corners of the picture they can be there to finish the canvas instead of having great meanings.

Jackson Pollock’s paintings are very interesting and create an almost traditional dance. The swirling lines flow in the rhythm of the music and are somehow predictable but have a sense of direction and focus. There is control and uniformity in all aspects of the design. Pollock said; “I’m not afraid to change, destroy the image, etc., because the painting has a life of its own. I try to put it in. It’s when I lose energy and paint that the result is confusing. Otherwise there is a real harmony, easy give and take, and the painting comes out well” (Chipp, pg 548). Pollock’s One: Number 31, 1950 is in a relationship that speaks even to the thickness and weight of the paint that provides the musical notes.

Miro’s The Birth of the World consists of lines, circles, triangles and small circular dots. The way the dark parts are painted it looks like there was crushed charcoal in the canvas rather than paint. As far as Pollock’s canvas goes, Miro’s are not over-produced and have no layering or dripping technique but they all have a similar rhythm and balance. All these artists also share the freedom to let the canvas do the magic with the artists who can help by feeding the paint. In Pollock’s case, the freedom to work from an unconscious, spontaneous perspective is what made his painting so successful and made him so eager to put his piece together. For Miro, being hungry and creating scenes from empty walls, seeing things that are not there and projecting them onto the canvas was working with the unconscious and his great imagination.

Joan Miro’s The Birth of the World and Jackson Pollock’s One: Number 31, 1950 are two large canvases that have many similarities. Both artists combine lines in their work and try to break away from traditional ways of working, drawing, and creating art. Artists have different reasons for doing what they do and Pollock and Miro are no exception. Pollock saw the movement of his work and natural beauty by working with his unconscious mind and adding control and at the same time immutability to his canvas. Miro also used to work in a way that was different from his culture and denied himself food, and ate figs in order to find a vision that would make him want to share with the world. Unlike Pollock’s, Number 1A, 1948 canvas, we do not see the artist using his hands or fingers or adding pink color. Pollock’s One: Number 31, 1950 painting and mark, a web of paint, coated so heavily that some parts of the canvas appear wet. On the other hand, Miro’s paintings are not very layered but have very fast strokes that show the importance of expression. Both artists, Pollock and Miro worked in their time to create something more than their peers and managed to make us stop and wonder.

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