Achilles Dressed As Girls When Living With The Princess Conflict Analysis: The Key to Strong Plots and Believable Characters

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Conflict Analysis: The Key to Strong Plots and Believable Characters

A good novel always has a good plot—the kind that makes you cheer for the protagonist (the good guy) and want to despise the antagonist (the enemy, the bad guy). It must be organized enough to create a true struggle where all the opponents are equal or within a hair of having the same strength and able to defeat each other so it builds surprise, fear, and doubt in the reader, fearing that the hero will not win. , and force the reader to open the page to find out what will happen next.

Types of Conflicts

If we think back to our high school English classes, we probably remember being taught about different types of arguments. Here as a refresher are a few examples:

  • Man vs. Person: Achilles vs. Hector in “Iliad”; Jean Valjean vs. Javert in “Les Miserables”; King Arthur vs. Mordred in Arthurian legend.
  • Man vs. Society: This is usually someone against city hall, or someone who opposes an unjust law. In “Atlas Shrugged” by Ayn Rand, it is the capitalists against those who are trying to create a socialist world. In “To Kill a Mockingbird,” a lawyer must defend a man in court against a racist group.
  • Man vs. Spiritual: Van Helsing & Co. fighting Dracula. Humans are fighting aliens in “War of the Worlds.”
  • Man versus Nature: Many stories about Jack London-men have to survive the winter or the desert alone and can only rely on their wits. Tarzan vs. A lion.
  • Man vs. Himself: Man faces his demons or weaknesses; he may have to overcome his fear of heights to save the girl; he may have to overcome his alcoholism to save his family from destruction. He may need the courage to reject his overprotective mother for the sake of the girl he loves, so we have man vs. man (his mother). Sometimes the conflict is subtle, like the heroine “finding herself” like Kate Chopin’s “The Awakening.”

Causes of Conflict

Aside from deciding what kind of conflict there will be (and good fiction often has a lot of conflict), the conflict must be strong enough to keep the reader interested. It should be relevant to the story, believable, advance the plot, and develop the main character.

  • Consistency with the Plot and Decision: A good argument should be relevant to the subject of the book. If the character has to save the princess from the dragon, there is obviously a human against the supernatural (the dragon). However, some conflicts may exist as a person and people—if the man is a lowly goatherd, the king will not want him to marry the princess because she is not of royal blood. The man may also be a coward, so he must overcome his fear (man versus himself) so that he is brave enough to stand before the king and the dragon. Each of these arguments is related to the overall plot and the decision to allow the goatherd to marry the king’s daughter. However, it would not be appropriate to throw in a story about a man who has to save his goat from a wolf, although this would also be a conflict, unless you connect it to the main plot – perhaps the wolf is a minion of the dragon. and he was sent to steal the goat to distract the man from noticing when the dragon took the princess as his prisoner.
  • Trust: The argument must be credible. If the reader does not find the argument credible, the story will fail, laugh, or become bored. For example, man versus rabbit may not be a good way to fight a rabbit because a man can easily defeat a rabbit. However, rabbit versus rabbit can lead to a powerful fantasy story like “Watership Down” where there is a battle between rabbits that also serves as a human metaphor. David and Goliath is another example of an untold conflict, but this time with a twist. David could not physically defeat Goliath by strength alone, but with wisdom and skill and his faith in God, he succeeds in killing Goliath and his legion.
  • Adding Hope: Conflict should always enhance the plot. If the main character is on a quest to save the princess, it doesn’t make sense for him to meet a pirate and fight him unless that conflict can be tied to the main goal. If the goatherd can engage in magic tricks and defeat him, leaving the pirate’s life to go with him to help him save the queen (something that would seem impossible for the hero alone) then the conflict between the pirate and the hero can be used to advance the plot.
  • Develop Character: The argument should be in line with the person’s situation. If your hero is a marathon runner and has to chase a pygmy up a mountain to achieve his goal, it’s not going to be a lot of conflict (unless you’re going for the funny). But if the hero has to fight a snake and the thing he fears most in the world is a snake, then the character is strong, and he must draw his courage to face them. Many times the conflict may seem like a struggle with an external force, only for the person to realize that he is facing an internal test – the need to reaffirm his goodness, to justify his past actions, to overcome his inner demons, and he just wins. by winning the conflict he reaches a place of peace within himself.

When you sit down to write your book, you may start with a character idea like a beautiful princess, or a plot like reclaiming the throne for the rightful king, but the next question is what the plot will be. : What prevents the king from returning to his throne? An evil witch who wants all the power. What does a girl want most – true love? What is preventing him from finding true love? Her father only allows her to marry the king’s son but she prefers a goatherd. That’s where the conflict comes in, the problem that needs to be solved, and the crux that the plot revolves around to drive the book to its resolution. From there, you find a way for the goatherd to overcome the king’s objections, and you learn about the witch’s powers and how those powers can be defeated to create a conflict. Then you will have good arguments. And without conflict, there is no story.

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